Temples

Khajuraho is a fascinating village situated in the state of Madhya Pradesh, India. The fascinating temples of Khajuraho, India's unique gift of love to the world, represent the expression of a highly matured civilization. It is one of the very famous tourist places for both foreign and Indian tourists in India.
Temples of Khajuraho attract the visitors with their sculptural art, which is very exquisite and intricate. Perfect in execution and sublime in expressions these Khajuraho temples are a dedication to the womanhood. The artist's creative instincts have beautifully captured various facets and moods of life in stone.
The beautiful temples that dot the town of Khajuraho are believed to have been built by the mighty Chandela rulers in 9th and 10th century AD. The engravings on these temples are highly sensual and erotic. Tantricism and the Shakti cult, where the pancha makaras (five tenets), namely, matsya (fish), madira (wine), maithun (sexual activity), mamsa (meat), and mudra (gesture) were to release the human spirit from the bondage of the flesh, have been described as the possible explanations for the sculptural sensuality of Khajuraho.
Out of 85 temples, only 20 have survived the ravages of time. Made of sandstone blocks fitted together, the temples are aligned east-west. For convenience, these may be divided into western, eastern, and southern groups of temples. The temples at Khajuraho are divided into three broad groups:
 This is the largest and paramount group with most of its constituent temples laid out roughly in two rows. The Lakshmana Temple, the Matangesvara Temple and the Varaha Temple form one complex and the Visvanatha and Nandi temples are not far from this complex.
The Kandariya Mahadeo is considered the most evolved example of central Indian temple architecture. Dedicated to Lord Shiva, this temple is also the largest of Khajuraho's temples. The Lakshmana Temple is one of the oldest and finest of the western group of temples. Although the general norm in other temples is three bands of sculpture, this temple has only two. Recurrent themes are battles, hunting, and women. The temple of Devi Jagdamba is considered by many to be one of the most erotic temples of Khajuraho. The temple houses Khajuraho's most talked-about image, mithuna, and the sensuously carved figures. The temple of Vishvanath and Nandi celebrates the marriage of Lord Shiva with Parvati. From traditional images of women fondling babies and writing letters, they are seen also as the most provocative of images. Chaunsat Yogini is the oldest of the surviving temples of Khajuraho. This temple is dedicated to goddesses Kaliand is the only temple in Khajuraho that is built in granite. Other important temples in the western group are the temples of Lakshmi and Varaha, Mahadev, Chitragupta, Parvati, and Matangesvara.
The eastern group of monuments, situated in close proximity to the Khajuraho village, includes three Brahmanical temples known as Brahma, Vamana and Javari and three Jain temples, the Ghantai, Adinath and Parsvanath.
The temple of Parsvanath is the largest of the Jain temples in Khajuraho and the finest. The temple was originally dedicated to Adinath and latter to Parsvanath. It is the finest example of the sensitive art without any sexual motifs. Shantinath is the youngest of all the temples in Khajuraho. The temple has a four and a half meter statue of Adinath.
Mostly in ruins now, The temple of Ghantai has fine columns and chains and bells, with a figure of a Jain goddess on a garuda. The temple of Brahma and Hanuman is also one of the oldest temples at Khajuraho. The temple is built mostly of granite and sandstone. Two other notable temples are Javari and Vamana temple.
The southern group of monuments comprises the Duladeo and the Chaturbhuja temples. The Duladeo is about a kilometer south of the Khajuraho village and half a mile southwest of the Jain group of temples.The Duladeo is somewhat new and built in a time when the creativity of Khajuraho was well down its peak. The temple has wooden structures that take away its authenticity somewhat. The other temple is of Chaturbhuja, pretty far from the village. The temple has a 3-m-high statue of Vishnu.Apart from the temples, another place that can be visited here is the Archeological Museum. It has a very good collection of sculpture, inscriptions, and architectural objects. Puri is one of the four 'dhams' of the Hindus along with Varanasi, Dwarka and Rameshwaram. Puri is well-known for a 12th-century temple called "Jagannath" erected in honor of the Hindu god Vishnu. The temple of Lord Jagannath is a colossal one. Since the town is a religious place and a sea resort, it attracts devotees in large numbers. Puri is also famous for its car festival.Lord Jagannath, the symbol of universal love and brotherhood is worshiped in the Temple along with Balabhadra, Subhadra, Sudarshan, Madhaba, Sridevi and Bhudevi on the Ratnabedi or the bejeweled platform. The Deities, Lord Jagannath, Balabhadra, Subhadra and Chakra Sudarshan are made of margosa wood. These three together are the principal deities of the temple, whose images reside in the temple's sanctuary.The temple was originally built by the Kalinga ruler Anantavarman Chodaganga (1078 - 1148 CE). Much of the present structure was built by King Ananga Bhima Deva in the year 1174 CE. It took 14 years to complete and was consecrated in 1198 CE. It is believed that the image of Jagannath was buried thrice in the Chilka lake for protection from invaders. The vast temple complex occupies an area of over 400000 square feet, and is bounded by a 20 feet high fortified wall. This complex contains about 120 temples and shrines. The shikhara of the Jagannath temple towers to a height of 192 feet.
The temple shows the characteristic form of the Orissan variant of the Nagara architectural style. It was begun around the 12th century and has been added to and repaired in the time since then. The most important element in the Nagara style is the "shikhara" ( temple tower ) and in the Orissa variant these towers are soaring and tall, in contrast to the smaller entrance-halls leading up to them.Structurally the temple has four chambers. The outermost is the Bhogmandir, the next is the Nata-mandir pillared hall for music and dance, the next is the Jagamohana - or the mandapa where devotees gather for worship and the last is the sanctum or the Duel enshrining the deities.
A famous festival related to the Jagannath temple is the ratha yatra, or chariot festival, which occurs yearly in June or July. The city reverberates with activity when spectacular wooden images of the deities kept at the temple are taken out in the streets on giant chariots nearly 14 metres high, in honour of Lord Jagannath amidst mammoth gathering. After they have stayed in that temple for seven days, the deities again ride the chariots back to their home temple.
Jagannath's chariot is a 35 feet square, rising to a height of 45 feet, with 16 wheels, 7 feet in diameter. More than 4000 people drag the chariot. Hundreds of thousands gather from all over the country to witness this festival.
Konark Sun Temple is located, in the state of Orissa near the sacred city of Puri. The sun Temple of Konark is dedicated to the sun God or Surya. It is a masterpiece of Orissa's medieval architecture. Sun temple has been declared a world heritage site by UNESCO. The Konark temple is widely known not only for its architectural grandeur but also for the intricacy and profusion of sculptural work. The entire temple has been conceived as a chariot of the sun god with 24 wheels, each about 10 feet in diameter, with a set of spokes and elaborate carvings. Seven horses drag the temple. Two lions guard the entrance, crushing elephants. A flight of steps lead to the main entrance.The Nata Mandir in front of the Jagamohana is also intricately carved. Around the base of the temple, and up the walls and roof, are carvings in the erotic style. There are images of animals, foliage, men, warriors on horses and other interesting patterns. There are three images of the Sun God, positioned to catch the rays of the sun at dawn, noon and sunset.Konark derives its name from Konarka, the presiding deity of the Sun Temple. Konarka is actually a combination of two words, Kona (corner) and Arka (sun), which, when combined, means the sun of the corner. Konark was one of the earliest centres of Sun worshipping in India. The place finds mention in the Puranas as Mundira or Mundirasvamin, a name that was subsequently replaced by Konaditya or Konarka. Apart from the Puranas, other religious texts also point towards the existence of a sun temple at Konark long before the present temple. Konark was once a bustling port of Kalinga and had good maritime trade relations with Southeast Asian countries. The present Sun Temple was probably built King Narashimhadev I (AD 1238-64) of the Ganga dynasty to celebrate his victory over the Muslims. The temple fell into disuse in the early 17th century after it was desecrated by an envoy of the Mughal emperor Jahangir.However, legend has it that the temple was constructed by Samba, the son of Lord Krishna. It is said that Samba was afflicted by leprosy, brought about by his father's curse on him. After 12 years of penance, he was cured by Surya, the Sun God, in whose honour he built this temple.
The massive structure of the temple, now in ruins, sits in solitary splendor surrounded by the drifting sands. The entire temple has been designed in the shape of a chariot carrying the Sun God across the heavens. The huge intricate wheels of the chariot, which are carved around the base of the temple, are the major attractions of the temple. The spokes of these wheels serve as sundials, and the shadows formed by these can give the precise time of the day. The pyramidal roof of the temple, made of sandstone, soars over 30 m in height. Like the temples at Khajuraho, the Sun Temple at Konark is also covered with erotic sculptures.
Standing imperiously in its compound of lawns and casuarina trees, 35km north of Puri on the coast road, this majestic pile of oxidizing sandstone is considered to be the apogee of Orissan architecture and one of the finest religious buildings anywhere in the world. The temple is all the more remarkable for having languished under a huge mound of sand since it fell into neglect three hundred or so years ago. A team of seven galloping horses and twenty-four exquisitely carved wheels found lining the flanks of a raised platform showed that the temple had been conceived in the form of a colossal chariot for the sun god Surya, its presiding deity.
The temple is a brilliant chronicle in stone, with thousands of images including deities, the Surasundaris, heavenly damsels, and human musicians, lovers, dancers, and different scenes from courtly life.
Equally as sensational was the re-discovery among the ruins of some extraordinary erotic sculpture. Konark is plastered with loving couples locked in ingenious amatory postures drawn from the Kama Sutra - a feature that may well explain the comment made by one of great poet of Mughal Dynasty, Abdul Fazl, in the sixteenth century: "Even those who are difficult to please, " he enthused, "stand astonished at its sight."
< A stone's throw away from Konark beach lies the sacred pond where Samba was cured of leprosy - the miracle that allegedly inspired the founding of the sun temple. For a couple of days every year during the full or "white" moon phase of Magha (Jan/Feb), chandrabhaga is also the site of a big religious festival, the Magha Saptami Mela.The Chandrabhaga Mela or Magha Saptami mela in the month of February, is a grand religious festival. Thousands of pilgrims converge on the pool, on this day to take a holy dip in its curative waters, and then shuffle off to the beach where, in accordance with an age-old custom mentioned in the puranas, they watch the sun rise over the sea. The event is followed by the puja of the Navagraha.
Magha Saptami (Sun Festival) is held at Konark on the seventh day (saptami) of the bright half of the month of Magha (January/February). During this festival, the pilgrims bathe in the sea before sunrise and then proceed to the temple to worship.
Madurai or "the city of nectar" is the oldest and second largest city of Tamil Nadu. This city is located on Vaigai River and was the capital of Pandyan rulers. The Pandyan king, Kulasekhara had built a gorgeous temple around which he created a lotus shaped city. It has been a center of learning and pilgrimage, for centuries. Legend has it that the divine nectar falling from Lord Shiva's locks gave the city its name - 'Madhurapuri', now known as "Madurai". The Sri Meenakshi Sundareswara temple and Madurai City originated together. The structures that are standing today date mostly from the twelfth to the eighteenth century. They occupy a vast space, 258-m by 241m. There are the two main shrines, no less than twelve Gopuras, a pool and innumerable Mandapas. At every turn there is superb sculpture, magnificent architecture.The Meenakshi temple complex is one of the largest and certainly one of the most ancient. According to legend Madurai is the actual site where the wedding between Shiva and Meenakshi took place. The gigantic temple complex, the statues exploring the entire range of human emotions, everything here is larger than life. The soaring and exquisitely carved towers enclose the temple dedicated to Meenakashi. The south gateway contains the twin temples of Shiva and Meenakshi and is about nine storeys high.Once Dhananjaya, a merchant of Manavur, where the Pandyas had arrived after the second deluge in Kumari Kandam, having been overtaken by nightfall in Kadamba forest, spent the night in the Indra Vimana. When next morning he woke up, he was surprised to see signs of worship. Thinking that it must be the work of the Devas, he told the Pandya, Kulasekhara, in Manavur, of this. Meanwhile Lord Shiva had instructed Pandya in a dream to build a temple and a city at the spot Dhananjaya would indicate. Kulasekhara did so. Thus originated the temple and city.In the 14th century an invasion by Malik Kafur damaged the temple. In the same century Madurai was under Muslim rule for nearly fifty years. The temple authorities closed the sanctum, covered up the Linga, and set up another in the Ardhamandapa. When the city was liberated, the sanctum was opened, and, tradition says the flower garlands and the sandalwood paste placed on the Linga were as fresh as on the first day, and two oil lamps were still burning.
Tirupathi is situated at 67-km from Chittoor in the state of Andhra Pradesh, India. Tirupati is one of the important pilgrim centres in India. The ancient and sacred temple of Sri Venkateswara is located on the seventh peak, Venkatachala (Venkata Hill) of the Tirupati Hill. This historic shrine of Sri Venkateswara is famous all over the country and attracts pilgrims from all over the country who stand in line for hours together to obtain a glimpse of the presiding deity for a few fleeting seconds.
The shrine is located on a hill at Tirumala, a cluster of seven hills known as Seshachalam or Venkatachalam with an elevation of 853m (2, 800ft.) above the sea level. It is said to be the richest temple in the world. This temple is a vibrant cultural and philanthropic institution with a grand history spanning several centuries.All the great dynasties of rulers of the southern peninsula paid homage to Lord Sri Venkateswara in this ancient shrine. The Pallavas of Kancheepuram (9th century AD), the Cholas of Thanjavur (a century later), the Pandyas of Madurai, and the kings and chieftains of Vijayanagar (14th - 15th century AD) were devotees of the Lord.Tirupathi is a fine example of dravidian temple architecture. The 'gopuram' or tower of the Tirupati Temple shows a characteristic feature of Dravidian architecture. The 'Vimana' or Cupola over the sanctum sanctorum is covered entirely with gold plate and is known as "the Ananda Nilayam". The Shrine consists of three 'Prakarams' or enclosures. The outermost enclosure contains the 'Dhvajastambha' or the banner post and, among others, the statues of Vijayanagara king Krishnadevaraya and his consorts, and of Todarmal, the minister of Akbar.The idol of the deity, the full figure of Lord Venkateswara or 'Venkataramana' or 'Srinivasa' or 'Balaji' has the attributes of both Vishnu and Shiva, preserving and destroying aspects of the Hindu Trinity.
Situated on the banks of the Narmada, Omkareshwar is one of the 12 revered Jyotirlinga shrines of Shiva. It is located at a distance of about 12 miles from Mortakka in Madhya Pradesh. The river Narmada spits into two and forms an island Mandhata or Shivapuri in the center. The shape of the island resembles that of the visual representation of the Omkara sound, Om. There are two temples here, one to Omkareshwar and one to Amareshwar.
Legend has it that the Vindhya mountain prayed to Shiva - Omkareshwara and was blessed here. Legend also has it that upon the request of the Devas, the Shivalinga split into two, one half being Omkareshwara and the other Amaleshwara or Amareshwar. King Mandhatha of the Ishvaku clan is believed to have worshiped Shiva here. The Omkareshawar temple is built in the North Indian style of architecture, with high spires. Devotees consider worship to Panchamuga Ganesha, to be very auspicious.

In the long history of man's endeavor to grasp the fundamental truth of being, the sages and profound thinkers of early India have helped in solving the problems of the origin, the nature and the destiny of man and the universe. Since then temple has acted as the entrance of self-realization and God. Akshardham is not just a temple, but a place of education, entertainment and enlightenment. There are 73 richly patterned and 63 partially carved pillars.Spread across a 23-acres, this complex is flooded with shrines, sculptures, parks, lakes and rides. All these come together to create the most powerful experience of Indian culture ever to exist. Dedicated to Lord Swaminarayan and inspired by Pujya Pramukh Swami Maharaj, Akshardham is a miracle worked by the service and devotion of thousands of volunteers.
The imposing 10 story high monument is made entirely of intricately carved, 6000 tons of pink sand-stone from Rajasthan, with no steel or cement used at all, ensuring that the monument will last for a thousand years. More than 12 million man hours of 900 skilled craftsmen have created this magnificent monument of 93 sculpted pillars, 40 windows carved from both sides, and a feast of forms and filigrees. Built inch to inch according to the ancient Sthaapatya shastras of India, no steel has been used. Support beams are 22 ft. single piece stone blocks. The pillars are poetry in stone, with beautiful expression from foot to crown.
Dwarka, on the west coast of Gujarat on the shore of the Arabian Sea, features in most of the legends surrounding Lord Krishna. It is from here that the grown Lord Krishna is supposed to have ruled his kingdom. Dwarka is a significant pilgrimage site for the Hindus.
Dwarka is sanctified as the place where Lord Vishnu slew the demon Shankhasura. The Puranas mention the 12 Jyotirlingas or columns of light representing Lord Shiva which manifested in different parts of the country. One of these is located in Dwarka and is known as the Nageshwar Mahadev. The Jagat Mandir or Nij Mandir forms the sanctum of the Dwarkadish temple and dates back to 2500 years. Jagat Mandir has its own hall of audience and a conical spire. The roof of the hall is supported by 60 columns and the main temple rises five storeys high. The spire rises to a height of 157 feet and is richly carved. One of the most popular temples in Dwarka is that of Rukmini, Krishna's wife, considered an incarnation of Goddess Lakshmi, the goddess of wealth and beauty. The Sharad Peetha, one of the four Maths established by Jagatguru Shankaracharya, is also situated here. Dwarka is situated in the extreme west of the Indian state of Gujarat in the Saurashtra peninsula on the Arabian Sea. Dwarka is an important pilgrimage center. It is steeped in legends, being associated with the life of Lord Krishna. In Puranic times, present-day Dwarka was known as Kushasthali or Dwaravati and enjoyed pride of place as the most important spot on the Saurashtra coast. It is said that Lord Krishna, after slaying Kansa, left his abode at Mathura and traveled with the entire Yadava community to the coast of Saurashtra where he founded a town and named it Swarnadwarika.Vajranabh, Lord Krishna's successor and great grandson, is believed to have built the present temple Dwarkanath, also called Trilok Sundar. Many Hindus fervently believe that the temple was erected in one night by a supernatural agency, under Vajranabh's direction. Legend has it that when dying, Lord Krishna asked his devotees to leave Swarnadwarika so that the sea could engulf it. Until this day, Lord Krishna's city lies buried under the sea. Excavations have revealed that the sea swallowed five settlements, the present-day Dwarka being the sixth in line.
The temple of Dwarkadheesh, also known as Jagat Mandir, is built on the north bank of the Gomti Creek. The temple dates back to 2, 500 years. Architecturally the temple is constructed on the same plan and system as most of the Hindu sacred edifices of antiquity. Sixty columns support the roof of the audience hall of the Jagat Mandir. The main temple is five-story high with the lavishly carved conical spire rising to a height of 157 feet. There is the one-meter tall, four handed black idol of Ranchhodrai, the ruler of Dwarika. Amongst the large number of temples belonging to different periods in the history of Dwarka, the most popular with pilgrims is the temple of Rukmini, Lord Krishna's wife, who is considered an incarnation of Lakshmi, the goddess of wealth and beauty. In addition to its temples and legends, Dwarka is also sanctified as the seat of Adi Shankaracharya, who established four seats (maths) in four different directions in the country. Research work in Sanskrit is carried on at the Shankaracharya's seat known as Sharad Peetha. Located at a distance of 58-km from Chennai, Mahabalipuram has everything that makes a site memorable; tradition, history, piety, western annals, and current importance as a centre of tourism.
Mahabalipuram is located close to Chennai (Madras) on the shores of the Bay of Bengal, along the Indian eastern coast. Known for its rocks carvings and monolithic sculptures it has the famous shore temple, the only one to have survived the ravages of nature. Also known as the Seven Pagodas (temples), six now lie submerged in the sea. Mahabalipuram temples whose architecture was inspired by the Pallava Art were built during the period 830 - 1100 AD.Mahabalipuram contains nearly forty monuments of different types including an "open air bas relief" which is the largest in the world. For centuries it has been a centre of pilgrimage, and even today it attracts devotees and foreigners in large numbers.There are two low hills in Mahabalipuram, about 400m from the sea whose both sides have 11 excavated temples, called Mandapas. Out of a big rock standing free nearby there is a "cut out" temple, called a "Ratha". This type is unique to Mahabalipuram. Out of the other hill, much smaller and standing about 200m to the south, are fashioned five more rathas, and three big sculptures of a Nandi, a Loin and an Elephant. On the top of the bigger hill there is a structural temple, and a little distance the magnificent beginnings of a Vijayanagar Gopura and also survivals of what is believed to be a palace.
The Golden Temple in Amritsar is the most exalted of all Sikh shrines. For the Sikh community the Harmandir Sahib Gurdwara better known as Golden Temple is the final spiritual vision. Four centuries ago, the third Sikh Guru Amar Das asked Guru Ram Das (successor of Guru Amar Das) to build a central place for the congregation of the Sikhs and thus the Golden Temple was built. Guru Arjan Dev completed the work started by Guru Ram Das in the 16th century. The followers of Guru Arjan Dev settled in a nearby town that later was called Amritsar.

The first Sikh Maharaja, Ranjit Singh, made Amritsar his spiritual capital while Lahore was the temporal seat of his newly founded expanding kingdom. Ranjit Singh oversaw the temple's further development, gilding the embossed plates, renewing the pietra dura and embellishing the interior with floral designed, mirrored ceilings.Golden Temple is widely regarded as being amongst the most tastefully decorated shrines anywhere. The art and architecture of the temple has been praised lavishly by generations. The gurdwara has four entrance doors, called deoris, in all four directions-symbolic of the new faith that made no distinction between caste and creed. People could enter and bow in any direction they preferred.The main structure rises from the center of the sacred pool and is approached by a long causeway. The 52-meter, square-based Hari Mandir stands on a square platform, its lower parts marble, and its upper portion fully covered with plates of gilded copper. In the interior, on the ground, the "Guru Granth Sahib" (holy book of the Sikhs) is placed under a jewel-studded canopy. On the first floor is a small pavilion called the Shish Mahal (mirror room). It is ornamented with pieces of mirrors inlaid in the ceiling and walls. Above is another smaller pavilion. Exquisite murals adorn the walls of the pavilions, but other than that, the emphasis is on simplicity.Situated at the other end of the causeway connected to the Harmandir Sahib is the Akal Takht. Literally, it means the eternal throne and its building opposite the temple has a significance. While the temple stands for the spiritual guidance, the Akal Takht symbolizes the dispensing of justice and temporal activities. During the day, the Guru Granth Sahib is kept in the temple and at night at the Akal Takht. Traditionally all Sikh warriors sought blessings here before going for war.

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